Gideon Levy doesn`t understand what makes "Waltz" so powerful: it`s precisely because Folman stuck to a point of view, that of the soldiers. And we as an audience are well aware that this is just the young soldiers` point of view, and inside those apartments and camps are other people.
As Michael (#4)points out, what Gideon Levy is telling us is the movie he, Levy, would like to make: probably some dour, laboriously pedagogical set of images following a script that would be halfway between a newspaper column and a lecture. |
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